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Dorothy Brower, Medical Illustrator, Collection

 Collection
Identifier: FSC-34

Scope and Contents

Spanning the years 1925-1991, the medical illustrations, sculptures, and records of Dorothy Brower provide a rare opportunity for the researcher to view medical art from preliminary sketches to impressive finished products. The collection contains a variety of artwork including sketches on tracing paper or sketch pad paper, drawings rendered in charcoal, pen and ink, watercolor, half-tone, wash, combined line and half-tone, and on Ross board and Scratch board. The collection also contains medical sculpture in plaster cast and wax moulage. There are also many photographs and slides in the collection. The materials in the collection are arranged into eleven series.

Series I, Medical Art, is the most extensive series. It contains much of Dorothy Brower’s drawn artwork from throughout her career. The series is loosely arranged by subject, grouping areas of the body together as much as possible. However, there were many drawings that did not fit into this arrangement.

Series II, Non-Medical Art, contains recreational artwork or artwork that was not medical in nature.

Series III, Medical Photography, contains color and black and white photographs and negatives, regular slides, glass slides, and transparencies of medical specimens, treatments, condition, and patients. Miss Brower also frequently took photographs or slides of her finished artwork. Photographs of her medical exhibits are also included in this series.

Series IV, Non-Medical Photography, contains photographs and negatives of colleagues, friends, and places of employment.

Series V, Correspondence, contains a letter written to Dorothy Brower from Max Brödel. It also contains letters written by her as she sought employment after leaving the Jackson Clinic in 1952.

Series VI, Publications, contain writings by Dorothy Brower that have been published in various bulletins, journals, and magazines. The series also includes some writings by others for whom she has illustrated.

Series VII, Personal, contains personal photographs as well as newspaper clippings or articles written about Dorothy Brower.

Series VIII, Association of Medical Illustrators, contains records concerning Dorothy Brower’s involvement with the organization. These records span from 1947 to 1970 and include the Association’s constitution and bylaws, newsletter, and reports from Miss Brower’s trips to A.M.I. conventions.

Series IX, Miscellaneous, contains a large and varied amount of material. The researcher will note that the first two listings in the series are listed as being in Box 14. The items were oversized and were placed in an oversized container. The rest of the material is found in Boxes 23 and 24. The researcher will also note that the series is loosely arranged by subject. Again, an attempt was made to group similar subjects together.

Series X, Reference Material, contains magazines, journals, and examples of commercial medical art that were obviously used by Dorothy Brower as reference materials as she prepared her various drawings.

Series XI, Medical Sculpture, contains some examples of wax moulage and plaster cast. The sculptures are quite fragile in most cases and great care should be taken when removing them from their containers and wrappings. The rabbit pelvis bones in Box 30 are especially fragile. The Thyroidectomy – Step One: Cervical Nerve Block wax moulage found in Box 27 is the first head from her Thyroidectomy exhibit. Photographs of this exhibit can be found in Series III.

Dates

  • Creation: 1925-1991

Creator

Conditions Governing Access

There are no restrictions on accessing material in this collection.

Conditions Governing Use

Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.

Biographical / Historical

Dorothy Brower was born in East Orange, New Jersey, on September 10, 1900. As a member of a socially prominent family, she was able to attend private schools and to associate with other prominent people such as President Grover Cleveland’s family, politicians, diplomats, explorers, and others.

Dorothy Brower had an interest in art from an early age. She chose not to attend a finishing school, but to pursue an art career by attending the Fawcett Academy of Art in Newark, New Jersey. She also attended Columbia University and New York University, taking courses in art and in practice and theory in teaching art.

Miss Brower applied to the Johns Hopkins University’s Department of Art as Applied to Medicine to be taught by the famous German medical illustrator Max Brödel (1870-1941). “Out of a thousand applicants, [Max Brödel] would interview a hundred. And out of a hundred, only ten would be accepted. You had to be a college graduate and have art training. Out of the ten, he chose three. I was one of the three” (Clem Hamilton, “Artist Draws on Colorful Memories of her Career: Interesting People, Events Dot 86 Years,” Dayton Daily News, 23 November 1986, pp. 1 and 11).

Max Brödel, known as the father of medical illustration, was a demanding instructor. He required his students to master human anatomy. Over a three year period, from 1927 to 1930, Miss Brower dissected three cadavers: an adult male, an adult female, and an infant. It was necessary for the medical artist to have a thorough knowledge of the human body. During surgery, the artist had to be able to accurately sketch what was happening even when body parts were completely covered by blood. Accuracy was important because it could mean life or death for the patient. Sketches were superior to photographs in that where photographs would show only a mass of blood, the sketch could suggest what was happening under the surgeon’s knife.

After graduating from Johns Hopkins University in 1930, Dorothy Brower spent the next ten years, from 1931 to 1941, working as a free-lance medical illustrator. In 1942, she was hired to be the Staff Medical Artist for the Jackson Clinic in Madison, Wisconsin. “I was there ten years. I had charge of medical illustration and also was in charge of all the medical exhibits at the American Medical Association conventions. We won all kinds of awards. We were competing with the Mayo Clinic, the Lahey Clinic, and the Cleveland Clinic” (Eileen Hawlk, “Former Wright-Pat Artists Also part of Medical World,” Dayton Daily News, 22 May 1981). While at the Jackson Clinic, Miss Brower was encouraged to learn medical sculpture. Medical sculpture provided medical students and doctors with a three-dimensional representation of an operative procedure. She received instruction in the methods and techniques of Surgical Wax Sculpture from the Mayo Clinic. At the time, she was one of only about five others in the United States who could do medical sculpture. Miss Brower also received instruction in Medical Photography at the University of Wisconsin.

In January 1952, the Jackson Clinic reorganized. Due to temporary financial problems, they had to eliminate several departments, including the Medical Art department.

In September 1952, Dorothy Brower began employment as the Scientific Medical Illustrator at the Veterans Administration Hospital in Indianapolis, Indiana. After three years, she was transferred to Wright-Patterson Air Force Base where she was made the Scientific Medical Illustrator for the Aerospace Medical Laboratory. Considered top secret at the time, her work consisted of comparing the animal sent into space with human beings. She worked to help prepare the astronauts for manned space flight. In 1964, Miss Brower left Wright-Patterson Air Force Base to become a free-lance illustrator before retiring around 1972 to do her own painting.

Throughout her medical illustration career, Dorothy Brower’s artwork was used to teach; to illustrate journal, magazine, or technical bulletin articles; and to illustrate books. Her work also appeared in museum exhibits at the Jackson Clinic, and in conventions where it won many awards.

Dorothy Brower was admitted as a member of the Association of Medical Illustrators in 1964. She was also a member of the Association of Painters and Sculptors in Dayton, Ohio, and of Arts Center Dayton as a free-lance medical illustrator.

Dorothy Brower passed away on January 7, 1992, at the age of ninety-one. She had been living at Heartland of Beavercreek, a nursing facility near Dayton, Ohio.

(This biographical sketch was written by Laura C. Williams. For additional information, please also see William Henry Young, “Dorothy Brower: Medical Illustrator/Sculptor,” Dayton Medicine January 1987: 30-31.)

Extent

13 linear feet

Language of Materials

English

Abstract

The collection consists of Dorothy Brower’s sketches and finished artwork as well as medical and non-medical photography, correspondence, non-medical artwork, publications by and about Ms. Brower, reference materials, and medical sculptures.

Arrangement

The collection is arranged into 11 series:

  1. Series I: Medical Art, 1923 March-1953 February, undated
  2. Series II: Non-Medical Art, 1944 May 16-1947 March, undated
  3. Series III: Medical Photography, 1941 April 18-1944 January 31, undated
  4. Series IV: Non-Medical Photography, 1944 January 13, undated
  5. Series V: Correspondence, 1951-1955 September 9, undated
  6. Series VI: Publications, 1948 March-1949 November, undated
  7. Series VII: Personal, 1987 January, undated
  8. Series VIII: Association of Medical Illustrators, 1947-1970, undated
  9. Series IX: Miscellaneous, 1925 August 14-1980, undated
  10. Series X: Reference Materials, 1956-1988, undated
  11. Series XI: Medical Sculpture, undated

Immediate Source of Acquisition

This collection was acquired in August 1990 from Robert Brower.

Processing Information

The Dorothy Brower Collection of Medical Illustrations arrived at the Fordham Health Sciences Library with little or no original order apparent. The collection contained sketches and finished artwork, photographs, negatives, transparencies, various forms of slides, newsletters, newspaper clippings, journals, correspondence, and miscellaneous other materials.

The medical drawings were dealt with first. The comprised the bulk of the material in the collection. Most drawings were on a sort of tracing paper. Some were brittle, but most were well preserved. Problems arose with the images drawn. Dorothy Brower used charcoal pencil in many cases. It was decided that for every drawing which there was a threat that the image would smear, a photocopy on acid-free paper would be made. The copies also served as interleaving for those drawings. All artwork was interleaved with either acid-free paper or tissue.

All drawings were organized by subject as much as possible, which proved challenging as similar drawings were spread out over the entire collection and many were unlabeled. Eventually most drawings were able to be identified or grouped together under likely headings. Within the medical art folders themselves, there is little order as most sketches were not numbered.

Books and journals were cataloged into the library’s collections, while reference materials recognized as being used for Miss Brower’s artwork were kept with the collection. Newspaper clippings were photocopied. All artwork and sculptures were protected by appropriate means of storage.

Title
Guide to the Dorothy Brower, Medical Illustrator, Collection (FSC-34)
Status
Completed
Author
Processed by: Laura C. Williams, 1993
Date
1993
Description rules
Describing Archives: A Content Standard
Language of description
English
Script of description
Latin

Revision Statements

  • 2021 Feb: Revisions were made to the inventory, and the arrangement field was added by Megan O’Connor and Toni Vanden Bos, 2021 February.

Repository Details

Part of the Special Collections Repository

Contact:
Wright State University Libraries
Special Collections and Archives
3640 Colonel Glenn Hwy
Dayton OH 45435-0001 USA
937-775-2092